REVIEW: ‘Backrooms’ Is A Horror Film That Makes Ordinary Hallways Terrifying

Chiwetel Ejiofor as Clark in Backrooms ©A24

A24’s latest horror film, Backrooms, directed by Kane Parsons, proves that creating genuine fear does not require excessive gore or constant jump scares. Instead, the film relies on atmosphere and an overwhelming sense of unease that lingers long after the credits roll.

The story follows Clark, the owner of a furniture store who accidentally discovers a mysterious passage leading to an endless labyrinth of seemingly ordinary rooms. The yellow walls, flickering fluorescent lights, and endlessly repeating hallways soon reveal themselves to be far more sinister than they first appear. After Clark mysteriously disappears, his therapist sets out to find him, venturing into the unsettling world of the Backrooms herself. Rather than providing straightforward answers, the film embraces ambiguity, allowing the mystery to remain compelling from beginning to end.

Chiwetel Ejiofor as Clark in Backrooms ©A24

The film’s greatest strength is undoubtedly its atmosphere. Parsons successfully translates the eerie essence of the internet phenomenon to the big screen. Every room feels strangely familiar yet deeply unsettling. Throughout the entire film, viewers are left with the constant impression that something dangerous is lurking just around the corner, even during the quietest moments. Backrooms builds tension through silence, emptiness, and disorientation rather than relying solely on traditional horror techniques. The cinematography is particularly impressive, while the minimalist and unsettling score further enhances the feeling of isolation and confusion.

Chiwetel Ejiofor delivers a convincing performance, capturing his character’s gradual descent into obsession and desperation. Renate Reinsve brings emotional depth to the story, making it easy for the audience to become invested in her character’s journey. While the relationships between the characters never overshadow the central mystery, they add an important emotional dimension that prevents Backroomsfrom becoming merely a collection of frightening sequences.

Special recognition should also be given to director Kane Parsons himself. It is remarkable to see how confidently a filmmaker who first gained recognition through YouTube has transitioned into feature filmmaking. Parsons not only preserves the distinctive atmosphere of the original online series but also expands it with a more mature narrative and greater psychological depth. His understanding of cinematic language is evident in every aspect of the film, from camera work and pacing to his masterful use of silence and space. Backrooms demonstrates that Parsons is one of the most exciting young voices in contemporary horror cinema, and his future projects will undoubtedly be worth watching.

Backrooms ©A24

However, this is not a film for everyone. Viewers expecting fast-paced action and clear explanations may find themselves disappointed, as the filmmakers prioritize symbolism, ambiguity, and psychological horror. For fans of atmospheric and unconventional horror, particularly those associated with A24’s distinctive style, Backrooms is likely to be a deeply rewarding experience.

In the end, Backrooms stands out as one of the most original horror films in recent years. Rather than relying on monsters alone, it finds terror in empty spaces, isolation, and the fear of becoming hopelessly lost. It is a film that reminds us that sometimes the scariest places are the ones that appear completely empty.

Rating: 4/5