Christopher Nolan has established himself as an incredible visionary in recent years. Each of his projects draws the viewer into the story, immerses them in it, and many scenes give them goosebumps. So when Nolan announces a new film, I don't ask: will it be good? I ask: how good will it be? He's one of the few directors I trust 100%, and he sets the bar even higher with each film. So how did Nolan fare this time with his The Odyssey?

Supergirl is the latest film from the world of DC comics. Directed by Craig Gillespie, the movie has received mixed reviews from both critics and audiences so far. Its a flop in a box-office, making it certain the film won't turn a profit for the studio. But is it really as bad a film as many people think?

A24’s latest horror film, Backrooms, directed by Kane Parsons, proves that creating genuine fear does not require excessive gore or constant jump scares. Instead, the film relies on atmosphere and an overwhelming sense of unease that lingers long after the credits roll.

Joseph Gordon-Levitt as Neil McCormick and Brady Corbet as Brian Lackey in Mysterious Skin ©MK2/Strand Releasing Gregg Araki, screenwriter and director, in 2004 has released one of his most mature and complex works: Mysterious Skin. It's an adaptation of Scott Heim's novel of the same name. It's a moving, challenging production, but also incredibly important, shedding light on trauma, sexuality, and the structure of the human psyche. The story follows two teenagers: Neil McCo